Forced marriages aren’t a far off, historical, or romantic thing- they are VERY real and can be VERY dangerous .
Written in the Stars is a new book detailing a forced marriage, but there are many more books out there on the subject that are just as brilliant. Take a look at these titles for readalikes:
At fourteen, Alis has never been outside her strict religious community. But when her parents arrange for her to marry a forty-year-old man, she flees desperately to the dangerous, unfamiliar city. She learns quickly that the only way to survive there is to become a thief—or worse. Facing an impossible choice between a forced marriage or life on the streets, Alis seizes control of her own fate. But the path she chooses sets off a disastrous chain of events that leave her accused of murder. Steadfastly loyal, Alis must decide: will she betray a loved one or sacrifice herself? Eleven-year-old Nhamo lives in a traditional village in Mozambique, where she doesn’t quite fit in. When her family tries to force her into marrying a cruel man, she runs away to Zimbabwe, hoping to find the father she’s never met. But what should have been a short boat trip across the border turns into a dangerous year-long adventure, and Nhamo must summon her innermost courage to ensure her survival. Like many girls her age in India, thirteen–year–old Koly faces her arranged marriage with hope and courage. But Koly’s story takes a terrible turn when in the wake of the ceremony, she discovers she’s been horribly misled; her life has been sold for a dowry. In prose both graceful and unflinching, this powerful novel relays the story of a rare young woman, who even when cast out into a brutal current of time–worn tradition, sets out to forge her own remarkable future.Inspired by a newspaper article about the real thirteen–year–old widows in India today, this universally acclaimed best–selling novel, characterized by spare, lyrical language and remarkable detail, transports readers into the heart of a gripping tale of hope. With the help of corporate and international sponsors, the Kabul Beauty School welcomed its first class in 2003. Well meaning but sometimes brazen, Rodriguez stumbled through language barriers, overstepped cultural customs, and constantly juggled the challenges of a postwar nation even as she learned how to empower her students to become their families’ breadwinners by learning the fundamentals of coloring techniques, haircutting, and makeup. Yet within the small haven of the beauty school, the line between teacher and student quickly blurred as these vibrant women shared with Rodriguez their stories and their hearts: the newlywed who faked her virginity on her wedding night, the twelve-year-old bride sold into marriage to pay her family’s debts, the Taliban member’s wife who pursued her training despite her husband’s constant beatings. Through these and other stories, Rodriguez found the strength to leave her own unhealthy marriage and allow herself to love again, Afghan style. Jeeta’s family is caught up in the whirlwind of arranging marriages for her two older sisters, but the drama and excitement leave Jeeta cold. Even though tradition demands the parade of suitors, the marriage negotiations and the elaborate displays, sixteen-year old Jeeta wonders what happened to the love and romance that the movies promise? She dreads her turn on the matrimonial circuit, especially since Mummy is always complaining about how Jeeta’s dark skin and smart mouth will turn off potential husbands. But when Jeeta’s smart mouth and liberal ideas land her in love with her friend’s cousin Neel, she must strike a balance between duty to her tradition-bound parents, and the strength to follow her heart. Nujood Ali’s childhood came to an abrupt end in 2008 when her father arranged for her to be married to a man three times her age. With harrowing directness, Nujood tells of abuse at her husband’s hands and of her daring escape. With the help of local advocates and the press, Nujood obtained her freedom-an extraordinary achievement in Yemen, where almost half of all girls are married under the legal age. Nujood’s courageous defiance of both Yemeni customs and her own family even inspired other young girls in the Middle East to challenge their marriages. Life is both sweet and cruel to strong-willed young Shabanu, whose home is the windswept Cholistan Desert of Pakistan. The second daughter in a family with no sons, she’s been allowed freedoms forbidden to most Muslim girls. But when a tragic encounter with a wealthy and powerful landowner ruins the marriage plans of her older sister, Shabanu is called upon to sacrifice everything she’s dreamed of. Should she do what is necessary to uphold her family’s honor—or listen to the stirrings of her own heart? First of a series. Born a generation apart and with very different ideas about love and family, Mariam and Laila are two women brought jarringly together by war, by loss and by fate. As they endure the ever escalating dangers around them-in their home as well as in the streets of Kabul—they come to form a bond that makes them both sisters and mother-daughter to each other, and that will ultimately alter the course not just of their own lives but of the next generation. With heart-wrenching power and suspense, Hosseini shows how a woman’s love for her family can move her to shocking and heroic acts of self-sacrifice, and that in the end it is love, or even the memory of love, that is often the key to survival. Thirteen-year-old Kyra has grown up in an isolated community without questioning the fact that her father has three wives and she has twenty brothers and sisters. That is, without questioning it much–if you don’t count her visits to the Ironton County Mobile Library on Wheels to read forbidden books, or her secret meetings with Joshua, the boy she hopes to choose for herself instead of having a man chosen for her. But when the Prophet decrees that Kyra must marry her sixty-year-old uncle–who already has six wives–she must make a desperate choice in the face of violence and her own fears of losing her family forever.
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